Bartók: Orchestral Works
Show recording detailsBIS-2378
Originally recorded in 2020
Classical
Orchestral & Concertos
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About
On two highly praised albums, Susanna Mälkki and her players in the Helsinki Philharmonic Orchestra have released recordings of Béla Bartók’s three scores for the stage – The Miraculous Mandarin, The Wooden Prince and Bluebeard’s Castle, all written before 1918. The team now takes on two of his late orchestral masterpieces. Composed in 1936 for the Basel Chamber Orchestra, Music for Strings, Percussion and Celesta is one of the purest examples of Bartók’s mature style, with its synthesis of folk music, classicism and modernism. One immediately striking feature is the unusual instrumentation: two string orchestras seated on opposite sides of the stage, with percussion and keyboard instruments in the middle and towards the back. In 1940, during the Second World War, Bartók emigrated to the U.S.A., where he initially found it difficult to compose. In 1943 he received a prestigious commission from the Boston Symphony Orchestra, however, and in less than eight weeks he composed the Concerto for Orchestra. In it he worked with contrasts between different sections of the orchestra, and the soloistic treatment of these groupings was his reason for calling the work a concerto rather than a symphony.
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Reviews
Recommended
“Superb performances of Bartók’s two substantial works.”
Orchestral Choice
Performance ***** Recording *****
“… Susanna Mälkki and her Helsinki Philharmonic offer performances that are at once satisfying, dazzling and individual. There’s a poise, indeed an elegance, to the basic good posture of these interpretations, held on a taut reign, with shifts of energy splendidly controlled and unshakable technical excellence worn nonchalantly …”
Artistic Quality 10 Sound Quality 10
“…BIS has captured the entire production in powerfully present, tactile sound that really lets you hear down through the ensemble, from top to bottom. This really is an exceptional release. If you love this music, be sure to hear it.”
“… Orchestral execution in both works is superb: strings play with enviable unanimity and a broad variety of colors and hues. Sample the sinewy and muted timbre heard in the first movement of the Music for Strings, Percussion & Celesta (MSPC), and then the laser focused, brightly lit colors in the following Allegro. They dispatch Bartok’s angular writing with impressive agility, and I greatly enjoyed the ferocity used in the music’s many pizzicato passages…”
“… an absolute winner... ”
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